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Tell us the video type, length, format and delivery date. It takes about a minute.
A brand film is not about making the product look good. It is about letting the viewer know, within thirty seconds, who you are and why you are worth trusting.
A brand film is often how a brand gets known for the first time — the homepage of a website, a loop playing at an exhibition stand, the opening of a pitch deck, an ad running on social. Any of these can be a viewer’s first contact with the brand.
The hard part of this kind of film is not whether the images look pretty. It is deciding what to leave out. Companies usually want to say too much: the history, the technology, the team, the product lines, the vision. But the viewer has only a few dozen seconds, and saying too much means saying nothing at all. That is where editing earns its keep: deciding what stays, what goes, and in what order it is said.
The rules for materials are simple. Just follow whichever one of the options below matches what you have:
A simple script is enough. You only need to write down three things:
For example:
0–5 sec | Opening shot (for example an aerial of the setting, the entrance, the product itself) | Text: the brand or topic name
5–12 sec | Main content, camera pushing in slowly | Text: the one line you most want people to remember
12–20 sec | Closing shot | Text: contact details or a call to action
It does not need to be beautifully written, just clear. We will use that script to assess how feasible it is and what the scope of work would be.
Below are the supporting materials people often have for this kind of video. They are only a reference, not a requirement. Providing your material in either of the two ways above is enough — having these lets us assess things faster, and not having them makes no difference.
For anything else, just ask on our official LINE.
Every project has a different set of materials and a different brief. What is listed below are the approaches commonly used for this kind of video; which of them we actually use, and how far we take them, depends on your material and what you need.
We do not simply apply a fixed package. We need to see the full picture of the material and the brief first, and only once we have confirmed what can realistically be done do we provide a quotation and a production schedule. That way the price and the delivery date rest on something solid, and you will not get halfway through and find that extras are needed.
What a brand film can do is say what the brand wants to say, clearly and well. Whether someone places an order or applies for a job after watching depends on the product itself and on your media strategy, and we will not dress up a quote with performance claims.
Every project is bespoke, so the process starts with “taking a look first”, not with a price.
Tell us the video type, length, format and delivery date. It takes about a minute.
If you have footage, upload it to Google Drive and put it in order; if you do not, send a simple three-point script (from which second to which second / what is on screen / what text appears).
Once we have seen the full picture of the material and the brief, we confirm what can be done and provide a quotation and production schedule.
We deliver a first cut on the agreed schedule, and export the finished film once the revisions are confirmed. Working days are counted from confirmation of payment.
Not necessarily. Many convincing brand films use real staff and real workplaces. Whether you use actors depends on the feeling you want the film to have, not on the size of the budget.
Yes. Photo-based films are a common approach, and camera moves, transitions and motion design can still give them a sense of rhythm. As a working estimate, one photograph runs for about 3 seconds, so a five-minute film corresponds to roughly 100 photographs.
Yes, and this is the most common way people work with BoFrame. You supply the footage; we handle the edit, grade, subtitles and sound, and deliver a finished film ready to use.
The quote includes an agreed number of revision rounds. Text corrections and small adjustments to segment lengths fall within that. If the whole direction is being redone — replacing the voiceover script, for example, or changing the structure of the film — that needs to be assessed separately.
An edit-only brand film takes about 10–15 working days, counted from the point where materials and requirements are confirmed. If script planning and motion design are included, the schedule extends further, and we will explain that when quoting.
Email us and we will reply with what else we need to know, then move on to assessment and a quote. LINE works too.